Katılımcı, Bandırma Tasarım Parkı Yarışması

Açıklama Raporu (İngilizce):

FOLLOWING NATURE, KEEPING HISTORY ALIVE


INTEGRATION WITH THE CITY

  • Connecting the city center and the site with an urban green belt.
  • Reshaping the Cumhuriyet Square as a memorial place of the city.
  • Reorganizing the port area as a public open space.
  • Transforming the building reserve of the port as an industrial museum and an open air theatre.
  • Assigning new utilizations to the existing form of the port.
  • Banding together the means of transportation.
  • Landscaping the adjacent park as an urban activity area for culture, sports and entertainment.
  • Regarding the upper plane of the site as the acropolis of Bandırma.
  • Taking the pedestrians and the vehicles coming from the city centre to upper plane area with a crooked road.
  • Pedestrianizing certain axes in the settlement area in order to enhance the connection between the settlements and the sea.
  • Developing a retail zone at the back side of pier along the main road.
  • Providing pedestrian crossings at both sides of the archeological museum to access the pier and the Institute.


INTEGRATION WITH THE SITE

  • Locating the buildings on the upper plane area of the site.
  • Choosing the open (treeless) areas as construction sites.
  • Considering the vistas for buildings.
  • Bringing the Design Institute building into the forefront.
  • Pushing the massive blocks of other buildings (hotels and the retail) into the background.
  • Creating an effect of raised ground by inserting the heavy building program under the earth .and making the buildings a part of nature.
  • Forming the hotel and retail buildings so that they become a part of the topography, and hence emphasizing a spatial fluidity which gives an advantage of being a wind barrier for the sloped roofs and entrance courtyards.
  • Collecting the rain water through the roof gardens and use it for multiple purposes such as irrigation and sanitary uses.
  • The facades of retail will be composed of solar panels for energy saving reasons.
  • Using the roofs of background buildings as the public vista points and the facades as the acropolis walls.
  • Considering the Design Institute as the main building of the acropolis and raising it for emphasis.
  • Planning a tranquil landscape.
  • Planting the side slopes as an urban forest and an urban lawn.
  • Using solar energy for environmental lighting.
  • Preserving the historical heritage as it is by taking due precautions for the walls.
  • Designing the historical buildings as the gardens of the Institute.
  • Conserving the existing landscape that invades the historical building remains.
  • Reaching the buildings from the outer main roads by vehicles.
  • Connecting the buildings with a pedestrian mall which can be used by service vehicles when needed.


INTEGRATION WITH THE HISTORICAL HERITAGE

  • Understanding the inspiring layout of the historical buildings and forming the Design Institute accordingly
  • Separating the Design Institute from other building forms, and correlating it with the grid plan and cubic forms of the historical buildings
  • Elevating the Design Institute from the ground to provide continuity of pedestrian circulation passing through the courtyard
  • Defragmenting the rectangular form of the Design Institute to emphasize the differentiation of functions required
  • Generating a sheltered semi open space, a plaza, a social activity core and an exhibition area at ground level
  • Using the bearing structure as exhibition walls and as frames of different vistas
  • Creating a new image above the existing historical context without touching the memory of the place

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